Harajuku Girls
What are we to make of Gwen Stefani and her Harajuku girls?
To recap, in case you have been living in a pop-culture proof shelter, Gwen Stefani is an American pop star with platinum locks and a growly, girl-power type of appeal. She released a clothing line called L.A.M.B which stands for “Love Angel Music Baby.” The clothing line was inspired by the street fashions of Harajuku, which readers of Japundit know is a hip part of Tokyo near Shibuya station, where youths dress up and parade their eclectic sense of fashion. Gwen has written a song titled “Harajuku Girls” which is an ode to the Harajuku ethos. She is touring with 4 “Harajuku Girls” whom she has named “Love,” “Angel,” “Music” and “Baby.”
Yep. That’s right. She’s named them.
Here are some sample lyrics from her song.
Your look is so distinctive, like DNA
Like nothing I’ve ever seen in the USA
Your underground culture, visual grammar
The language of your clothing, is something to encounter
A ping-pong match between eastern and western
Did you see your inspiration in my latest collection
Just wait till you get your little hands on L.A.M.B.
Cause it’s (super kawaii), that means (super cute in Japanese)
The streets of Harajuku are your catwalk
Bishoujo, you’re so vogue
That’s what you drop
Cho saikou, Harajuku girls
Okay. Now we’ve got that out of the way. Let’s look at what the reaction has been so far.
When I first saw Gwen Stefani and her girls, I thought, “No way. She’s crazy. Middle America will never understand this whole kawaii thing.” Then I thought, “Well, maybe it will work.” Then I thought, “What will happen if people like this?”
Margaret Cho, probably the only well known comedienne of Asian descent here in the US, masks her criticism of the Harajuku girls with some ironic observations.
I mean, racial stereotypes are really cute sometimes, and I don’t want to bum everyone out by pointing out the minstrel show. I think it is totally acceptable to enjoy the Harajuku girls, because there are not that many other Asian people out there in the media really, so we have to take whatever we can get. Amos ‘n Andy had lots of fans, didn’t they? At least it is a measure of visibility, which is much better than invisibility. I am so sick of not existing, that I would settle for following any white person around with an umbrella just so I could say I was there.
(But, I interject, people do carry umbrellas in Japan).
I’ve found a couple of other interesting pieces of commentary. There is one particularly damning article in Salon, written by an Asian American. It’s worth noting that the article opens with the author recalling times past when she was stereotyped for her looks.
Stefani has taken the idea of Japanese street fashion and turned these women into modern-day geisha, contractually obligated to speak only Japanese in public, even though it’s rumored they’re just plain old Americans and their English is just fine. . . The renaming of four adults led one poster on a message board to muse, “I didn’t think it was legal to own human pets. But I guess so if you have the money for it.” Stefani fawns over harajuku style in her lyrics, but her appropriation of this subculture makes about as much sense as the Gap selling Anarchy T-shirts; she’s swallowed a subversive youth culture in Japan and barfed up another image of submissive giggling Asian women.
(Kinda wierd use of the term geisha. Makes me think that perhaps the writer hasn’t been to Harajuku and perhaps hasn’t read up on what makes a girl a geisha).
So, we’re pretty sensitive these days over here in the West. Especially those of us of Asian descent, and I am definitely sympathetic to all these points of view. But lost in all the discussion are a couple of key things.
First: Japan is the world’s second largest economy, and one of the reasons the real Harajuki kids are able to invest so much creativity into their weekend outfits is because they have money. Social problems Japan has a plenty. But this is not the land where playing dress up reduces a girl to becoming a “contractually obligated geisha” with absolutely no power. Some commentators have insisted that the girls in Gwen Stefani’s show aren’t “authentic” Harajuku girls, but I kind of think that’s a given. This is show business after all.
Second: what do the Japanese themselves think of this curious cultural mixing? I mean, unless you haven’t been paying attention, Japan is full of T-shirts with curious phrases and charming uses of English. Is that cultural appropriation? Or is it only cultural appropriation if we Americans dress up like . . . someone else? Where do we draw the line?
I found this blog (in Japanese) in which a Japanese went to see Gwen Stefani perform in New York. She talks about how Gwen Stefani is a sort of “ambassador” for Shibuya-ku. She makes the point that the Harajuku Girls (that would be Love, Angel, Music and Baby) dance really well, and that it’s exciting to see Asian girls front and center. However, she wonders, it does seem that the point of the choreography is that, to Americans, Asian taste seems to prefer girls who are “young and childish” and “not sexy.” She also wonders how long Stefani will stick to the Harajuku routine.
This, to me, is the really interesting part of this whole debate. Can you name any female Asian pop stars who have crossed over to become stars in the US? Many have tried, but so far, no one has truly succeeded. How about movie stars? There’s Michelle Yeoh, and there’s Ziyi Zhang. There is the lively Margaret Cho, and our homegrown beauty Lucy Liu. More recently, we have Sandra Oh. One thing all these women share in common is that their characters are martial arts experts, or really tough.
There is something to be said for the perception that Westerners have of Asians as being “giggling.” This is where I think a lot of Asian women living in the West get nervous. We are perfectly aware of the way in which Asians are perceived, and we aren’t comfortable with it. I remember full well the number of times I’ve been told in corporate interviews, “Well, you just don’t seem very tough.” On the other hand, the minute I land in Japan, if I laugh at a joke, my hand flies up in front of my mouth. What am I going to do? Show off a mouthful of teeth and unleash my guffawing self to my grandparents? I don’t think so.
The interesting thing for me, then, is to see if these Harajuku Girls of Gwen Stefani’s are going to be able to translate long term. I wonder if the larger Western audience will gain a greater appreciation for all that is kawaii, and stop asking Asian actresses to have to prove that they can “kick ass” if they even want to make a film in the first place. Or, is this really just a passing trend that will only affirm another kind of stereotype.
Has anyone seen the video for ‘Harajuku Girls’?
Given Gwen’s presentation and the fleeting interests of us westerners, I think the trend will be fleeting at best.
November 10th, 2005 at 5:10 amIn answer to the question of naming female Asian pop stars who have crossed over to become stars in the US. I’d throw out Puffy as a wild example of success that’s reached the mainstream.
November 10th, 2005 at 5:32 am“Middle America” as in Baby-Boomer types, will never get it. However we [adult swim] Cartoon Network anime addicts, various Emo types, and in fact pretty much all of Generation Y are totally immersed in Harajuku culture by now (or at least what we think Harajuku culture is based on Puffy and similar), and there’s nothing wrong with that. Just like Japanese youth embracing Hip-hop, goes both ways.
November 10th, 2005 at 5:59 amPuffy is definitely starting to make some inroads, though they are still not covered with the same attention as, say, a Gwen Stefani.
But you and Duo speak to the point I was trying to make; there is a major part of the “Harajuku girl” phenom that the mainstream press isn’t getting. I don’t think we can just look at this trend and say, “Oh! Cultural appropriation. Bad bad bad. Terrible to see such submissive Asian women.”
I really think we might *might* be seeing a little bit of global pop culture — as in the wave of pop culture moving toward the US, and not just from the US to the rest of the world.
Time will tell.
November 10th, 2005 at 6:27 amThe salon article was trying to adress Ms. Stefani’s use of these so called Harajuku Girls as China Dolls and accessories to her and her own inflated ego.
I mean, she named the girls L.A.M.B (Love, Angel, Magic, Baby) for God’s sake. I guess its some way of telling us shes some sort of pastor and these girls are like her sheep or something.
November 10th, 2005 at 7:49 am1) I’d like the song a lot more if she could ACTUALLY PRONOUNCE THE WORD “HARAJUKU.”
2) I wonder if “kawai” in the last paragraph up there is a Freudian slip. ;D
November 10th, 2005 at 9:11 amGoddamnit, when will she go away? The one single most annoying pop star today…
November 10th, 2005 at 9:11 amThe salon article was trying to adress Ms. Stefani’s use of these so called Harajuku Girls as China Dolls and accessories to her and her own inflated ego.
..Not unlike Britney and her airhead backups, it’s not at all uncommon. (Britney sucks.)
For another slightly unrelated symptom of what Marie’s talking about read this about manga sliding into major U.S. printed paper comic strips to attract a younger audience because, well, Calvin and Hobbes just aren’t cool anymore.
November 10th, 2005 at 9:25 amSubmissive Asian women?
Whoever thinks Asian women are submissive has never been married to one!
November 10th, 2005 at 12:04 pmI really think we might *might* be seeing a little bit of global pop culture — as in the wave of pop culture moving toward the US, and not just from the US to the rest of the world.
Marie, I think you are right. And this was a great post. Keep em coming! I loved the story and think Gwen and the Harakuku Girls is cool stuff. It’s a new global positioning of culture. Forget the old stereotypes. Think new. Outside the box. We are living in an immaterial world now!
November 10th, 2005 at 12:58 pmSalon has a history of running articles by Asian-Americans who are quick to take offense for the Japanese, though they often know next to nothing about their ancestoral country. “subversive youth culture” is a Western concept, along with concepts like “underground”, when refering to culture. Japan is certainly culturally more open and free than the US, at least in terms of popular culture. They are not always compelled to “fight the Man.”
I have always been amazed that members of great bands, like the defunct Demi Semi Quaver, would pay their bills by backing pop idols - and never have a word of complaint about it. Talk about open.
I think Gwen Stefani pretty much has it right, and is pretty much what Madonna would be, if Madonna had taste and talent.
November 10th, 2005 at 12:59 pmGPC = global positioning of culture
Nice
November 10th, 2005 at 1:00 pmHow about movie stars? There’s Michelle Yeoh, and there’s Ziyi Zhang. There is the lively Margaret Cho, and our homegrown beauty Lucy Liu. More recently, we have Sandra Oh. One thing all these women share in common is that their characters are martial arts experts, or really tough.
I don`t remember Ms. Cho in any martial arts movies.
November 10th, 2005 at 1:08 pm…Not unlike Britney and her airhead backups, it’s not at all uncommon. (Britney sucks.)
You can certainly make the same argument about Britney Spears, especially with her riding the hip Kabala wave thats spreading throughout Hollywood, but I think we should only focus on Ms. Stefani for the time being.
Although not Asian or Japanese myself (Lebanese to be exact), I think whenever some Western popstar decides to take something distinctively Asian or Far Eastern and watering it down for mass Western consumption, its really sucking the uniqueness and creativity out of said subculture.
Ms. Stefani’s use of these girls is really just a marketing ploy to: a) Capitalize on the West’s current obsession with everything Japanese, such as Anime, Manga, J-Pop, etc. and b) Attract more Asians to Ms. Stefani’s product.
Although I hardly think Ms. Stefani is guilty of any crime, I do think she’s being terribly smug, egocentric and pretentious, taking a whole group of people’s unique style of dress and attitude and wrapping it all in a sugary little, easy to swallow capsule, with the attempt of gaining some sort of sainthood, where “Harajaku” youths dance behind her and prostrate to her greatness at the opportune moment (Whilst chanting about things being “Bananas” no less)
Conclusion: Ms. Stefani (Whom I’ve never liked ever since her No Doubt days)has meddled in something she certainly shouldn’t have, much less in which she makes herself into some Harajuku Queen, with her faithful masses bowing in respect and throwing rose pedals on her feet.
November 10th, 2005 at 2:03 pmQUOTE FROM MARIE: ”Japan is the world’s second largest economy, and one of the reasons the real Harajuki kids are able to invest so much creativity into their weekend outfits is because they have money.”
marie,
have you ever LIVED in Tokyo? These Harajuku girls who dress up on weekends do it because they are airheads of the first order, not rich or cultured or cultivated, just immature and time on their hands, and yes, money in their pockets from mom and dad. But what are they rebelling against? nothing. They are just joining another club, to be members of a club. nothing more there. I think you seriously simplify or make more complex a very simple thing: girls do the same thing in the Orange street in South Korea. They are the valley girls of Tokyo. You are reading way too much into this. Come here and sometime and live among us. You will then understand deep mysterious J.A.P.A.n.
– TT
November 10th, 2005 at 2:12 pmlongtime TKO expat
“I don`t remember Ms. Cho in any martial arts movies.”
LOL. I really can’t stop laughing thinking about it.
Hey, Gwen was great in No Doubt. And what’s the fuss with harajuku girls? Of course they’re not rebels or something. They’re damn high schoolers, just bored and freaky.
November 10th, 2005 at 9:42 pmHey, I don’t recall Joan Chen having to beat anyone to get on screen. I just ignore the inane comments of the quick to be offended. If you happen to like the looks of asian women, you’re a racist. If you don’t, you’re a racist. I tired of Margaret Cho’s act quickly - but that says more about the humor, and me, than her.
November 10th, 2005 at 10:12 pmTT — I never said in my post that the girls were “cultured” or “cultivated” or “rebelling” and I completely fail to see how you pulled that out of my post. I said that the girls have money, which is something that the critics here in the West don’t get. As for the Harajuku girls being akin to Valley Girls — I think that’s a great analogy. And don’t forget what a trend those Valley Girls started once upon a time. Fashion is fashion. It isn’t deep or philosophical. But it does influence people and it does sometimes tell us which way the wind is blowing.
November 11th, 2005 at 1:01 amI thought that Gwen thing was ok when she was in No Doubt. I thought she had her own style or something. Then she tried to jump on the hip hop thing with that Eve song. Now she’s just proving how little personality she really has. Gwen is pretty unimportant. I wish she would just go away and let the whole “Harrajayookoo is cool!” thing pass already.
November 11th, 2005 at 3:06 amI think Gwen is just doing a crappy job of presenting this image. The song sucks even in comparison to her other tracks on the album. Its sounds more like a commercial to me. When you say “hey I found this unique style” and try to make it sound exotic then you haven’t yet fully embraced it or understood it. First thing is first she might want to figure out what its called; EGL, AGA, etc.. Until she does that I think its lame for her to parade it around.
But I think the whole argument about whether or not she is entitled to embrace the culture is bs. I see nothing wrong with her embracing Elegant Gothic Lolita etc because the culture has just as much influence from the west as it does from Japan. People tend to have double standards about how they view American’s that embrass foreign culture. Where do people think the kids in Harajuku got the elements of their style from? Goth, Victorian dress etc did not originate in Japan. Next thing you know coppying a Jpop star that is trying to be just like Britney Spears is going to be considered raping Japanese culture.
November 11th, 2005 at 6:41 amresponse to 14-
Isn’t turnabout fair play?
Japanese rap/r&b/pop stars reguarly use english in their songs, incorporate american fashions, and arguably have accomodated “urban” culture into mainstream Japanese music/fashion. Do they understand urban culture? Not really. Does it make them money? Yes.
What then, is so morally reprehensible about an American artist adopting japanese cuteness/chic as a fashion in order to further their careers/make money?
November 11th, 2005 at 11:10 amDo they understand urban culture? Not really.
Huh? Define “urban culture”…
November 12th, 2005 at 4:58 am[...] posse of Japanese hipsters employed to trail American pop singer Gwen Stefani — the Harujuku Girls. Jose Manuel Tesoro « South Korea: Datemates or Sexma [...]
November 12th, 2005 at 3:19 pmfor japanese pop stars with cross over appeal in the US, how about Shonen Knife or Cibo Matto, I mean I am not the hippest of people, yet I’ve heard of both.
November 12th, 2005 at 4:07 pmI think Gwen Stefani is one of the most modern female genius’ out there today. She stands for individuality. She has great style. She has also stayed on top of the music charts. Although she is a sell out, I don’t feel that she should be looked down upon. That’s business. Some people sell out and fall out completely. At least she’s still on top of her game. I commend her for bringing out such a kick ass style fomr another culture. I don’t think we should be afraid to be a little different and try new things. It’s unique and I love it.
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November 17th, 2005 at 8:28 pmOriginal? She has gone through a Marilyn Monroe phase, punk, R&B chick and 50’s classy and now she is on to Harajuku and acts like she invented all of them. She just moves from existing trend to trend. Only this time it’s worse. If she want’s to dress up Harajuku, good on her. I do it (starting long before she was singing about it). It makes me feel good.
But subjigating Asian women to the role of adoring hand maidens/fashion accessories is the definition of uncool. I like much of her music but people are not playthings, however rich you are.
Harajuku is about SELF expression anyway.
Get over it Gwen. If you like a fashion wear it, don’t pay other people to wear a fake version of it for you.
BTW She should have let the girls dress themselves. She has no idea of what Harajuku is.
November 18th, 2005 at 2:17 pmYou know, i doesn’t stop with gwen steffani. White people in general just try too hard to be like other races. In america, all you see if white boys chasing asian girls. It’s not because they see them for who they are, but chase them because of stereotypes placed on how exotic asian women are. I think this is just plain b.s. and we need to stick together as an asian community. Don’t be a sell out, we need to band together and put an end to the exploitation of the asian race! Respect is one thing, but to stereotype us for who we are is wrong. White people do it everywhere we go, they naturally assume asian people to be smart, they expect all asian women to be ’sluts’, i mean just look at how many white boys go run to buy honda’s and acura’s all of a sudden, why? - Because the envy us!
November 18th, 2005 at 3:50 pmWhite people in general just try too hard to be like other races
Hey, dude (or dudette). You’ve got a Japanese name, but after reading the above statement I gotta ask: Have you been to Japan lately?
November 18th, 2005 at 4:10 pmWell yeah, Sakai, you’re right. Not all asians are smart. (You’re living proof.)
I bet Ken Gushi secretly wants to be white since he drifts a Mustang. And all Japanese who like hip-hop probably wish they were black. Idiot.
November 18th, 2005 at 4:46 pmWhat’s wrong with having a Asian woman as a fashion accessory?? Japanese women do it to Western men all the time.
Asian women make great accessories. They’re not too noisy, they don’t eat too much, and they never complain before marriage.
I don’t know much about fashion, by the way, but Gwen S. is one of the few pop star - cum - designers that gets some respect among design pros. That, and she’s got a nice rack.
November 18th, 2005 at 8:14 pmSakai has a point though. Japanese people are stereotyped but then so are any nationality you can imagine. Japanese use random English and some dress in stylized US or British trends and no one makes a deal about it.
November 19th, 2005 at 6:48 pmIt works both ways. I don’t care about anyone following Japanese fashion but Gwen has crossed the line and the size of her rack doesn’t negate that.
What line has she crossed exactly? The constraints of showbiz will not allow each of her Harajuku girls to have a full intro showcasing their depth as human beings. They, like Gwen, are entertainers, and coming in a package is part of the deal. They are supporting players in Gwen S’s very marketable fantasy. Obviously, they have no problem with it themselves.
The only people unhappy with it seem to be people with a particular axe to grind.
November 19th, 2005 at 9:14 pmIf you want to present the “true” Harajuku to the world, go for it. And good luck.
Actually, I am not so sure if she does have a nice rack. That was just an unresearched toungue-in-somewhere comment. In fact, now that I think of it, I was objectifying Ms. Stefani. How awful of me. But, then again, she’s not a designated “minority,” so maybe it’s OK.
November 19th, 2005 at 9:18 pmIn response to…”whenever some Western popstar decides to take something distinctively Asian or Far Eastern and watering it down for mass Western consumption, its really sucking the uniqueness and creativity out of said subculture.” Really? What happened to the rest of the world adopting the f*** out of blue jeans! Blue Jeans were originally a “fashion” for the working class… did anyone criticize the first artist who portrayed blue jeans as fashion? What about exploiting the middle clas? Who, with the pasing of time, have actually suffered over time, as the rich actually get richer! The Harajuku style is only possible because the youth-style in Tokyo can be monitarily subsidized! If you study the history of fashion, most of it actually comes from those who are not “of fortune.” So if you want to attack someone for being inspired by something that may have been previosly considered shameful or degrading, you should pollish up on you rknowledge of fashion history. AND pay more attention to the way the rest of the industry works. “Crouching Tiger, Hidden Dragon.” One of the most telling, beautiful, creative films of the decade. But did anyone comment, or complain about the stereotype of Asians or Asian-Americans and martial arts? Look at the roles of ANY culture in entertainment… The Hawaiian traditional dance “Hula” is exploited NON-STOP!!! Adam Sandler is PRAISED for his comedic portrayal of the Hawaiian culture in “50 First Dates.” The Irish are always drinking ’til they’re drunk. The Germans are always stern and cold. The Middle-Easterners… are you kidding me? Stereo-types are all around us. But the difference is, many of these cultures are NOT admired; are not acknowledged; are not the inspiration behind creative activity! And those cultures that are hailed as “fashionably viable” deserve the attention, if you ask me!
November 20th, 2005 at 4:11 pmElec wrote:
I’ve even noticed myself getting frustrated at a Western band using a language none of them are fluent in incorrectly and getting all pissy; but we don’t when it’s a Japanese act, possibly out of fear for being perceived as intolerant/racist or somesuch. At least when they’re white we can whine about them.
Of course, this only goes for us cracker-folk. :-/
Dimestore Hod: HAIRYJUKU GURLZZZS !
Faith:
Just a guess, but I think it’s because they use English all over the place, and are forced to learn it in school. If someone like The Gwen uses Japanese, it’s because she’s actually went searching for it and set herself up as a sort of representative of it…a representative who doesn’t know what she’s talking about, can’t speak Japanese, is using a subculture for her own financial gains. Until she speaks Japanese and talks to those girls, and realizes she’s just accepted and allowed to do it because she’s foreign and famous…she’s disgusting.
PS: You know the lady who did the cover for Gwen’s CD? She’s a shojo fetish woman caught up in the adult gothic/dollmaker/weird artist culture. I met her. Aside from that cover, all of her artwork is girls of various points of nakedness bopping up and down the tv screen with smiley faces and ponies. I don’t know what the Hairyjuku Gurlz think of her, but I think she’s creepy and mentally unstable…
I was watching a Japanese news program, and the media likes Gwen’s take on things because it’s “kawaii.” I wonder what she’d do if she realized Harajuku is for 15-18 year olds, and that a percent of them act as escorts to old perverts so they can get the money to buy their Gaultier bags and Altier Boz dresses. They rest are just there for the $10 sale shirts or spoiled by parents who sometimes can’t afford the money, but can’t back down because of Japanese consumerism.
It’s like putting Viskei bands at anime cons; as long as they get the attention…but really, there are much better people out there to be bringing asians into the forefront. I mean, I’ve got my complaints with PuffAmi Yumi, like it’s the 2 asian stereotypes, but at least it has Japanese people…Shimotsuma Monogatari too, as far as media goes.
November 20th, 2005 at 5:13 pmSorry…that was found on a music board for Japanese indies bands…I thought it was pretty relevant.
November 20th, 2005 at 5:14 pmThanks, anna, that was relevant. The argument represents the neurosis of the writer quite well, whoever it was. Interesting that the writer should be accusing the cover artist of being mentally unstable. Projection maybe?
Saying that an artist needs to learn the language of a culture before they can borrow from it is simply ridiculous on the face of it. Someone had better tell Peter Gabriel and Paul Simon that they are “disgusting” until they brush up on Swahili. Really, are these the reactions of a sane person? To call someone who borrows culture without the language disgusting??
So some girls in Harajuku prostitute themselves. So do some girls at Vassar. What’s the point?
The whole argument stinks of a mindset that says “I am better than Gwen Stefani because I speak Japanese, even if I do spend my days pretending to teach English to uninterested preschoolers.”
Gwen strikes me as someone who is having fun with the culture. Fun. Something her detractors seem to lack any sense of.
November 20th, 2005 at 7:22 pmGhoti, thank you…if that sounds weird, for calling me a neurotic, smarmy git *lol* I’ve been keeping tabs on this topic for a while now.
I guess I should try to clear up what I wrote, now that it’s here. If Gwen were in Japan, and doing her thing in Japan, I would have no problems with her; however, she’s doing it in the United States where there are real “Harajuku Girls”…or as close as they can get given that it’s an entirely different culture and they have limited access to the clothing and cultural knowlege. Especially down south, they face a lot of discrimination for it, and when my friend held a Gothic and Lolita tea party in the commons last year we had guys walking by and yelling at us to lift up our skirts…erm, Gwen’s not helping that by running around in her underwear. When I went as EGA to Disney World I was called a Harajuku girl! So it’s not just a question of representing Asians, it’s also representing people over here who are into the culture.
As for Japan, I’m pretty sure the girls in Harajuku aren’t upset by what she’s doing (I might ask them) because I don’t they’re into getting their culture out and in the open or what others think. Just as long as they’re not seen as Cosplay. (BTWN: I was reading their messageboards, and a bunch of them characterize themselves as “mentally ill”)…but my friends who are lolita, they’re not at all like Gwen and I think they would sort of like to be understood a bit. Like, I understand she’s having fun, but if so, shouldn’t she set it up as her OWN thing, and not say it’s Japanese culture?
My point is they’re not wealthy. And it’s hard being lolita. I spent a lot of time in Harajuku last year…
As far as the illustrator goes, she was just really creepy. I’ve had some pretty bad experiences with a few of the people in that circle, and so that probably has colored my view…like perverts, occult fanatics…for me, she takes the fantasy out of Harajuku and mixes it with something real, secretive, and adult. So yes, perhaps that is my own problem, but still…
I never said I was better than Gwen, I just don’t want to be labelled as what she’s presented to the US…it’s not just an Asian thing anymore I think.
Anyway, if you’d like to discuss this more, I’d REALLY love to hear your views. Is it okay if I contact you?
November 21st, 2005 at 3:21 amFaith and everyone else — Thanks for adding so much to this debate. There’s obviously even more to cover than the mainstream media has uncovered so far. Thanks to everyone for taking so much time to represent so many points of view.
Faith — you made me think about the way that the “punks” and “mods” of the UK had their rebellious act sort of taken over by fashionistas in the 70s. Interesting how these things seem to happen — only now it’s between Japan and the US.
I’d be curious — and probably others would be too — to learn more about your experiences regarding the whole Lolita/Goth scene. There’s nothing like hearing from someone who is actually part of a cultural movement. Perhaps you could write something up.
November 21st, 2005 at 6:02 am^^ Or perhaps you’d let me interview you via email.
November 21st, 2005 at 6:04 amThanks for the undeservedly nice reply, faith. That’s the thing about writing - the opinions just flow, and land naked and unadorned on a page for all to pick apart at leisure. I am often a complete ass when I write. But, with too much weighing of words I would never finish a paragraph.
You obviously know far more than I ever will about Harajuku and gothic lolita, or about Gwen Stefani for that matter. I still have the odd fringe group connections, but I am completely out of the loop of current trends - though my wife is still pretty well informed. I have a soft spot for weird kids, having been one myself, who make their own way.
So far as Gwen Stefani, she is a pop singer, and I like what I have seen and heard from her. I think it’s great that modern Japanese culture is being exported, even if it is a watered-down marketable version. I was introduced to wine by Boone’s Farm Apple Wine, though I eventually came to appreciate the real thing. This is what pop does, it brings in a lite version for mass consumption. People who want to know more will learn more. Gwen S has no social responsibility to present anything other than what interests her in the way it interests her. She’s an entertainer, not an anthropologist.
You seem to want to have the wider world understand your particular crowd, and that’s just the opposite of what you said your Harajuku friends are interested in. I think this is where you get frustrated. You are part of a subculture that is a bit off the mainstream, yet you want the mainstream to understand? By definition, they can’t, unless it is all diluted to appeal to mass tastes. This is one thing I like about the Japanese approach. They can maintain their boring “Clark Kent” persona for their daily life, and another very different persona for their other life, without feeling the need to somehow merge the two.
The day the guys in pick-up trucks stop asking you to lift your lolita skirts will be the day Harajuku culture dies. Just like punk. The scene will lose any intimacy it had. There may even be a day when a typical redneck is identified by the lolita dress he is wearing.
A bit along the lines of the illustrator you describe - I was under the impression that creepiness was a common element in this group. Adult fetishes and SM blending in with 12 year olds in cute dresses. It would not be unimaginable to see a 32 year old man and a 12 year old girl sporting the same knickers at the same place. On one, as I said, I like weirdos. On the other hand, I have a young daughter who will be walking into this sort of minefield in a few years. I don’t know what to think about, so I don’t very much right now.
If you really want to show Harajuku to the wider world, against my sage advice, why don’t you do it yourself? Light a candle rather than curse the darkness (or, in this case, the Gwenness). Maybe you should take up Marie’s offer?
You’re welcome to contact me and find out how little of use I really have to say if you want. Japundit has my permission to give my e-mail to anyone except stalkers, spammers and people who send mass e-mailings of every 1000-year old joke, picture, virus warning or chain letter they see on the Net.
November 21st, 2005 at 12:16 pmMarie, your posts are usually good, and some, like this one, have great legs. Thanks.
November 21st, 2005 at 12:20 pmThanks, Ghoti! We do all do our best here. At this point, I feel like we’re extremely lucky to have such a diverse and smart crowd representing so many points of view — across the ocean.
Faith — I hope you’ll be willing to make a small dent in setting the record straight about Lolitas, etc. Like Ghoti, I was (and am?) a “wierd” kid and so very much sympathize with what that feels like.
November 21st, 2005 at 12:27 pmThank you for showing so much interest in us! I can’t pretend to speak for lolitas as a group, but I would be happy to talk about my experiences, research, impressions, etc. How would we get in contact?
But I can say that most Japanese lolita and goths are not interested in S/M, exhibitionism, eroticism, etc. The crowds into that are a lot older…sometimes they’ll mention an SM Lolita Show in the magazines, but that’s not real. I went to one, and it was a crowd of quiet, somewhat socially marginalized (it seemed) girls sitting around on the floor watching girls in nightgowns pop balloons and act frightened. There might have been a little blood or wax, but it wasn’t SM - it was the ILLUSION of SM. It had been taken and put in a fantasy setting.
Although “lolita” comes from the novel of the same name, as one girl wrote on her blog, “The name came from a book about a young girl and an older guy who have an affair. I don’t know anything more than that.” She didn’t seem to equate the idea of lolita with fetishism…in fact, most men find them unattractive. But they still do it because they don’t care what males think. It’s their way of aesthetic expression, attention seeking, connecting with friends, escapism, dealing with lonliness, putting others down, etc.
…I can talk about the Japanese drag and fetish underground too, if you’d like *lol* But that’s a little more complicated and I don’t have quite as much experience…
PS. Don’t apologize for anything you say though, please ^^ I’m stubborn and strongly opinionated, and I know this. If you don’t think I deserved to get chewed out this time, then it was definitely fitting for some other time that I wasn’t.
November 22nd, 2005 at 4:29 amFaith,
If you want to contact either ghoti or Marie, please send you e-mail address to contact@japundit.com.
We will pass it along.
November 22nd, 2005 at 10:44 am:eek::lol::mad::sad::!::?::mrgreen::neutral::twisted::arrow::shock::smile::???::cool::evil::grin::idea::oops::razz::roll::wink::cry:
November 26th, 2005 at 11:28 amHmmmm,
November 26th, 2005 at 9:36 pmIt’s easy to insult detractors of Gwen because that would negate everything they say, valid or not. I have a great sense of fun. I think Gwen does to. I don’t think you need to speak Japanese to borrow from their culture. They borrow from ours. I think it’s good.
I just think that some of the clauses in their contract are wrong and the whole handmaiden act is off. They are fellow performers, fellow artists. Who else can you think of who treats their fellow artists as handmaidens? Would you support it if they did?
I don’t think being in a sub-culture group should make your exploitation any more OK (no matter how much people enjoy it)or what the beliefs/bevahiours of some members of your group are.
November 26th, 2005 at 9:50 pmBesides, you all know what she is presenting is not Harajuku. Harajuku is about choice and rebellion. Her girls don’t have a choice in what they wear so it’s not Harajuku. Simple as that.
So what I object to is capitolising on the popular interest in Japan by selling something that is not in the least Japanese but making it look that way. It’s not what they wear, it’s what she calls it that’s the problem.
It’s like a bad anime dub. It’s only use is to inspire people to discover the original. That’s when they realise how shite the dub really is.
That’s the only aspect of it I like.
People are finding out about the real thing, which is much more interesting.
I mean, why go to the trouble to get Japanese dancers and them Americanise/Japaese them? Wouldn’t they be able to do a better job at expressing their own culture if that’s what she wanted to do? You’d think…
notice also that none of the girls gwen chose are particularly attractive — but more importantly, she selected four girls who more or less all LOOK THE SAME. (wow, way to reinforce the stereotype that all individuals of asian decent look the same.) They all have very non-descript features, they’re plain-looking, they’re chubby… and then there’s GWEN, in stark contrast, striking and conspicuous and very obviously in good shape.
how interesting. she hired acquired four very plain-looking “ethnic” pets to follow her around.
November 30th, 2005 at 1:04 pm…and make her look better in comparison.
Actually, all but one of them is quite pretty out of that aweful make up and smiling but you never see them that way…
December 1st, 2005 at 4:46 pmI thought that I was the only one to notice that Gwen uses the Harajuku girls to make herself look better in comparison. Taller, thinner, more stunning…but also pathetic. Bridezillas do the same thing with their bridesmaids on their wedding day, dress them all in the same awful outfits so the she will shine as the most beautiful one. Very L.A.M.E.
December 2nd, 2005 at 4:57 pmHA! Excellent comparison Di. That’s exactly what it looks like.
December 2nd, 2005 at 6:21 pmplease my dear
December 4th, 2005 at 1:21 amI am looking for a girl to marri please if you are a girl please weriting me with email address
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kingsley
Well, I’m not Asian, and I’ve never been to Japan, but I’ve been a big fan of the gothic lolita/harajuku/etc. fashion for a long time.
I’m not really for her bringing the whole Harajuku thing here, but I admire her for embracing another culture. Yet, I think she should leave it alone to the people who really care about it.
She’s making it too public, and I’m afraid all these ignorant girls will start copying it and think they’re really Harajuku and so unique and fashionable when they don’t even give a damn about anything that’s out of the country.
Basicly what I’m saying is that the style should be left to the people who actually enjoy it, instead of having mindless sheep that dress up because some one famous is doing it and it’s the “in” thing.
I hope you guys understand what I’m trying to say. I had a hard time turning my feelings into words.:oops:
December 8th, 2005 at 10:36 amShe did not name them L.A.M.B., because they’re her lambs. What a stupid idea! I’ve seen interviews with them and they say everyone is named after their personality and also lamb is their favorite animal, altough it hasn’t that much to do with the name. But anyways, I don’t think when she says Harajuku girls she means the population of Harajuku or Japan. She means HER Harajuku girls (the four she hangs out with). I mean the whole album is named after them, so she probably is talking about them in the songs.
She says they’re very good friends of hers and they love eachother. They’re also VERY talanted at what they do. I would’ve hired them too if I was her. -_- So in all, I don’t think she’s trying to stereotype anyone. She’s just talking about the fact that she likes the city of Harajuku (btw HARAJUKU is not the whole ASIA or the whole JAPAN it’s just one city, so I don’t get why people say she’s making a stereotype for the whole of ASIA:roll:) and also about her four girlfriends.
P.S:Btw, someone said that they’d like the song if they can pronounce Harajuku? Wtf, are you retarded? You pronounce it the same way that you write it.O_o
December 14th, 2005 at 5:25 am[...] t is not meant as an insult. The American Harajuku fascination appears to be continuing beyond Gwen Stefani. Paris Hilton has returned from Japan with two new dogs in tow, and their names [...]
December 15th, 2005 at 2:21 pmDo you tell your girlfriend how to dress? What language to speak? Make them grovel at your feet? Name them? The fact that they are tallented performers in their own right only makes it worse. She went looking for them when she got into Harajuku, she didn’t know them before. It wasn’t like Gwen and her buddies decided to do this. She chased 2 of them down the street to recruit them. They may be her friends now but they had never met her before her Asian fetish started. She picked Asian dancers to go with the clothes.
Simple as that.
BTW Gwen can’t pronounce Harajuku so what does that make her?
December 20th, 2005 at 9:15 pmi:razz::twisted::neutral::smile:love thten
December 26th, 2005 at 8:59 amMy sister told me about Gwen’s new bag of treats last week. So far this has been the most informative article I have read. There seems to be no outlash, no rising up against this largely and widely across america. i am not japanese, i’m a german jew, but this is outrageous and should gwen stand in front of strong women of the world everywhere, not just goo-gooing teens already chewed up and spit back out by pop-culture, she wouldn’t last a second. her money is not buying these women a good place in the media. they are emotionless, emoticons. they don’t prescribe their own feelings, she does. think about junior high schools nationwide… are the pretty blonde bimbos going to start giving their lunch money to an asian girl to follow her around? i should think it will happen. sad sad sad. gwen stefani is no girl-power priestess. she’s a commodity and to downplay commodifying herself she has commodified four asian women. despicable.
January 7th, 2006 at 1:05 amIt’s unfortunate that so many of you Harajuku fans believe what Gwen is doing is ‘wrong’. I personally believe her new obsession with Harajuku is out of flattery and honest admiration for our culture. You can’t exactly penalize her for it considering 95% of the people who posted here are not technically from Harajuku, Japan, or are even japanese to begin with. It would be like me telling the majority of you who love Harajuku style so much, to just quit bastardizing my country. I can easily say none of you do it ‘correctly’ either. But I don’t because no matter how horribly you dress based on Harajuku fashion, I know it is your own way of enjoying the culture. And yes, if Gwen Stefani asked me to follow her around and take pictures with her, I would. How horrible of me for wanting some publicity and fame.
PS:You can’t exactly say she pronounces ‘Harajuku’ wrong considering the majority of you fans don’t as well. Unless you are japanese, or have lived in japan, it is extremely difficult to all of a sudden pick up the accent. I know the majority of you jap fans believe you pronounce things better than everyone else, but you honestly don’t. And telling her to say it correctly would be similar to telling a japanese person to speak with an american accent. Not the easiest thing in the world, mind you. It took me a good fifteen years to learn how to speak without an accent or a lisp. Telling Gwen Stefani to learn japanese and the entire culture before she sings one measly song is completely ridiculous to even make an argument about it.
And I don’t understand why, but someone posted earlier on how white men think of asian girls as an accessory, stereotype, and slut. I hope that comment by Sakai was a joke. Because it was. I highly doubt my boyfriend went out with me for any of those reasons, granted, yes, he does believe me to be an attractive accessory, as I do him, but not in the same manner as she speaks of. Sakai also said that ‘white people in general just try too hard to be like other races’ This may be true, however that’s how the world revolves. Every person, place, and country needs inspiration from one another; otherwise we would never evolve or develop.
Wakako
January 9th, 2006 at 4:56 pmIt’s unfortunate that so many of you Harajuku fans believe what Gwen is doing is ‘wrong’. I personally believe her new obsession with Harajuku is out of flattery and honest admiration for our culture. You can’t exactly penalize her for it considering 95% of the people who posted here are not technically from Harajuku, Japan, or are even japanese to begin with. It would be like me telling the majority of you who love Harajuku style so much, to just quit bastardizing my country. I can easily say none of you do it ‘correctly’ either. But I don’t because no matter how horribly you dress based on Harajuku fashion, I know it is your own way of enjoying the culture. And yes, if Gwen Stefani asked me to follow her around and take pictures with her, I would. How horrible of me for wanting some publicity and fame.
PS:You can’t exactly say she pronounces ‘Harajuku’ wrong considering the majority of you fans don’t as well. Unless you are japanese, or have lived in japan, it is extremely difficult to all of a sudden pick up the accent. I know the majority of you jap fans believe you pronounce things better than everyone else, but you honestly don’t. And telling her to say it correctly would be similar to telling a japanese person to speak with an american accent. Not the easiest thing in the world, mind you. It took me a good fifteen years to learn how to speak without an accent or a lisp. Telling Gwen Stefani to learn japanese and the entire culture before she sings one measly song is completely ridiculous to even make an argument about it.
And I don’t understand why, but someone posted earlier on how white men think of asian girls as an accessory, stereotype, and slut. I hope that comment by Sakai was a joke. Because it was. I highly doubt my boyfriend went out with me for any of those reasons, granted, yes, he does believe me to be an attractive accessory, as I do him, but not in the same manner as she speaks of. Sakai also said that ‘white people in general just try too hard to be like other races’ This may be true, however that’s how the world revolves. Every person, place, and country needs inspiration from one another; otherwise we would never evolve or develop.
Wakako
January 9th, 2006 at 4:56 pmI was thinking about this issue myself … and I am a little on the fence about it. It was wrong of Gwen to name these girls and treat them like ‘dolls’ and pay them not to speak English but think about this. Who do these Harajuku girls think they are? Why would they let this American Woman push them around and treat them like dolls? If they want to make a name for themselves in America is should be THEIR OWN NAMES not Love, Angel, Music, and Baby. So I am actually mad at them both. By the way, I am only 14 years old and yes being a girl from Japan I have pondered it.
January 21st, 2006 at 3:30 pmOk, seriously now. These 4 girls are payed, not forced. They enjoy the same freedoms as every other damned person in this country. They’re probably making more money than anyone who has posted here. They are not SELLING out any culture because the second that culture leaves an area it is something new, its not Harajuku Street culture anymore, its Gwen’s culture. It has happened since the beggining of time. Racism stems from people who lash out in anger, not the people who are having fun. I personally shake my head everytime i see them, but they have every right to do what they please. Everybody loves to take any chance they can to use an issue to further their own beliefs onto others; you people are exactly what you are accusing Stefani of.
Even if she completely bastardizes every culture in the world, people would just form new ones. Its not the end of the world. It’s not oppression.
Those pooooooor girls must cry the entire ride home in their brand new BMWs.
If you think you’re view is more important than anyone else’s, you’re simply never going to learn. Nobody’s opinion matters. Not mine. Not yours. Our opinions only apply to how we live our own lives.
February 17th, 2006 at 6:47 ami don’t like how she’s using them. so far, what i’ve seen, i have a feeling, their style doesn’t truely match the kids in harajuku.
and…
…
i was just wondering, are those girls really japanese? they don’t look japanese to me.
February 18th, 2006 at 9:14 amI’m from slovenia i’m not speak english very good, but i just wanna say that gwen stefani is my favourite singer!!and this about harajuku girls.i don’t know why you don’t like them, because it’s really great idea!!Gwen Stefani and she’s harajuku girls are great, the best..for me!
March 10th, 2006 at 3:29 amAre we all forgetting that Gwen’s use of the harajuku girls and the culture behind it, is only bringing ALOT of attention to the eastern world. If it weren’t for Gwen, I myself would know nothing of the fashion/culture. At a time like this, wouldn’t one be pleased and quite proud that a major star is trying to open the world’s eyes to it?
March 19th, 2006 at 10:03 amI do however think that there is “no doubt” some kind of capitalistic motive behind it. Just try to see the good. Publicity is a good thing. (especially if it is good)
Look, it’s show business.
And there’s no business like show business.
I don’t think there’s much else to say. Gwen Stefani has successfully marketed the image of Harajuku - good for her. The Harajuku girls have gained international fame - good for them. To me, it seems like a win-win deal. As for their impact on the Western view of Asians, I don’t think there’s much to be concerned about. When most people listen to Stefani, they listen for the sake of the music. The Harajuku girls rate only a mere notice and nothing more. They don’t seem to be having that huge of an influence on the American stereotype of Asia, from what I’ve seen around me.
March 22nd, 2006 at 2:26 pm[...]
3/31/2006
Future of Kawaii
We’ve spectulated before on the spread of kawaii as an aesthetic sensibility. Others are thinking about i [...]
March 31st, 2006 at 6:43 pmHere be the thing:
Over the years, I have heard many erroneous things about Gwen Stefani, meant to tear her down. Few were based in fact. Like many people, I found her L.A.M.B. troupe to be in questionable taste. But a lot of the criticism levelled at her is just inaccurate in one way or another.
A big thing that bugs me is that everyone who is quick to condemn Gwen for “using” these girls (or to praise her for “naming the album after them”) is also doing something problematic. In the first case, WHO GIVES ANYONE ELSE THE RIGHT TO SPEAK FOR THE FOUR OF THEM? Maybe they feel oppressed… maybe they’re having fun. We don’t know. In the second case, L.A.M.B. is the name of the fashion brand that Gwen started way before she ever made/finished the album. I have a L.A.M.B./LeSportsac bag that predates the cd’s release by quite some time. The name L.A.M.B. was extended to the album (which honestly kind of pissed me off, because I now have an expensiveish bag that’s an advert for an album I don’t particularly like and that is now attached to all sorts of racial issues I normally stay out of). The girls were hired to play characters based on the “Love, Angel, Music, Baby” concept that is basically Gwen’s brand. The album was certainly not named after them.
I can’t think of a single back-up singer/dancer who is paid to have a unique personality, regardless of their ethnicity or the ethnicity of whoever the frontperson is. There are backup musicians who receive significant individual acknowledgment (Gail Ann Dorsey, who plays bass guitar for David Bowie, comes to mind), but not many. This situation is only loaded because the girls are noticeably of a different race than Gwen (meaning, if all her backup dancers were black, there wouldn’t be an outcry). The consternation is caused, I think, more because a point is made of their “Japaneseness” than because of the mere fact that they are of Asian descent.
More than one person has brought up, in the thread, that the Japanese are major cultural appropriators. Harajuku culture is simply not that unique or non-western. Even EGL and its offspring are based on European historical styles. Vivienne Westwood is hugely popular in Tokyo. It’s not the same kind of defensible position that people had when mehndi became popular in the US - or when Gwen Stefani popularized bindi.
So, I’ve been really uncomfortable with the implications of the whole “Gwen’s Japanese Dolls” controversy. It has turned me off of her work. But I also think the reaction has been overblown and ill-considered, illogical and based on false information, and on that idea that others have a right to speak for the girls, when in fact your own right is even less than that of Gwen (who is at least paying their salaries). There are better battles to fight and more serious instances of racism to consider. Other than that, what Ciel says: this is a blip that will not have much influence on American culture, any more than Madonna performing “Vogue” in 1780s attire at the MTV Music Awards caused an outcry because she trivialized either the suffering of the French masses prior to the Revolution or the massacre of the French aristocracy during the revolution. (It didn’t, and that’s my point. Too much power and intent and malice is ascribed to Gwen. At worst this is an ill-considered stumble, and it isn’t meant to hurt anyone.)
April 1st, 2006 at 10:13 pmMomo, I hope you keep posting here. I respect how much thought you have given to your opinion.
April 2nd, 2006 at 6:22 amI don’t know whats so bad about Gwen Stefani’s fascination with Harajuku girls. I think its cute. No one ever talks about Japanese businessmen’s obsession with Blonde white women.Or the fact almost any anime cartoon you see has all white characters. By the same token, Anime and hello kitty and such have caught on over in the U.S. which i also think is very cute. The point is we borrow from each other all the time. I think it has less to do with race and everything to do with Globalization….and boredom.
May 8th, 2006 at 6:21 am[...] Harajuku/Harajuku Girls: - Harajuku - Harajuku Girls - Love.Angel.Music.Baby - Gwenihana - also touches on Peter Carey’s Wrong About Japan, which I read shortly after coming back. Also feministing’s comments on the article. Comments there are interesting. I think the Salon article has gotten the most cover. - Comments on on what tian has learned where the author recounts e-mails received on the subject. - Japundit also manageded to dig up a good selection of links on the topic. [...]
May 15th, 2006 at 3:44 am[...] Longtime readers know that we’ve speculated on the spread of Japanese kawaii as a global sensibility. If you need a reminder, just take a look at the discussion that followed last year’s post on Gwen Stefani, who even attempted to use the word kawaii in her Harajuku song. [...]
June 16th, 2006 at 11:15 pmwhereever i browse the harajuku things, there are always pro n cons about gwen and her harajuku girls, i really dont get the point of the problem.
March 20th, 2007 at 2:03 amgwen web, harajuku lovers has been updated, have you all noticed about it? it’s a nice web.
March 21st, 2007 at 12:09 amin a world of globalization its pretty safe to say that trends and pop culture can spread faster and are easily accessed via internet. gwen may have stolen a part of the japanese culture and tried to pass it off publicly as a cute crush on her beloved harajuku girls and fashion…but she is not the most evil thing that lives. It has been done before over and over to all kinds of “urban” or black music. HIp hop has spread across the globe
http://www.slingshothiphop.com/trailer.html
this and other examples of rap style or urban clothes being taken by non-traditional users is just what gwen did.
its just more evident because she devoted an entire line to it and walks up and down the red carpet with the 4 harajuku dancers as if they were her pets
gwen may not have intentionally set out to suck the girls souls or culture dry..she might really think she is allowing the rest of the U.S. into the delight she has found
April 28th, 2007 at 5:33 am[...] course, if you are a regular reader of Japundit, then you know we’ve been harping on this “reverse import” business for a while. Then there’s this: “Our message [...]
August 31st, 2007 at 8:19 am[...] basics of this story are not new: general cultural commodification combined with racialized doll-silence. As MiHi Ahn puts it in Salon: “Gwen Stefani neuters Japanese street [...]
April 16th, 2008 at 10:41 am[...] Japundit, we’ve observed for a while that popular culture isn’t necessarily flowing in the one, hegemonic direction that apologists always fear. But it does occur to me that part of [...]
September 30th, 2008 at 12:00 pm